The Marian Consort is a Gramophone Award-nominated vocal ensemble, recognised for its innovative presentation of a broad range of repertoire. Led by founder and director, Rory McCleery, The Marian Consort performs across the UK, Europe and North America, and features regularly on BBC Radio 3.
Praised by The Scotsman for ‘performances that glow with golden purity and soul’, the group is composed of the very best singers performing one to a part, allowing clarity of texture and subtlety of interpretation that illuminates the music for performer and audience alike.
The Marian Consort’s repertoire encompasses music from the fifteenth century to the present day, with a particular focus on exploring lesser-known works. TMC is committed to creating new music, and has commissioned leading British composers including Cheryl Frances-Hoad, Gabriel Jackson, Cecilia McDowall, and Matthew Martin.
The Marian Consort is a pioneer of projects which move beyond the confines of the traditional concert, bringing music of the past to today’s audiences. TMC has toured Breaking the Rules by musician and playwright Clare Norburn, a concert drama exploring the life and crimes of Carlo Gesualdo, to LSO St Lukes, Lichfield, Buxton, Cheltenham, Bath and Lammermuir Festivals, garnering five-star reviews.
The Marian Consort collaborates with ensembles including the Carducci Quartet, Berkeley Ensemble, Rose Consort of Viols, Illryia Consort, the Choir of Merton College, Oxford, and Ludus Baroque, in repertoire ranging from Byrd to Monteverdi and Arvo Pärt to Michael Berkeley. TMC has released ten recordings to critical acclaim, praised for ‘precision and pellucid textures’ (The Times) and for ‘drawing the listener in by quiet persuasion and musical intelligence of the highest order’ (The Guardian).
Recent performance highlights include concerts in the Bascule Chamber underneath London’s Tower Bridge; a debut performance in Estonia at the 24th Kuressaare Chamber Music Days; a residency at the Cambridge Early Music Festival; a concert at the Misteria Paschalia Festival, broadcast on Polish National Radio; and a UK tour to celebrate the group’s tenth anniversary. The Marian Consort made its inaugural tour of the US and Canada in October 2018, and will tour Japan in autumn 2021.
Rory is the founder of The Marian Consort, with whom he performs across the UK and Europe. Under his direction, The Marian Consort has become renowned for its compelling interpretations of a wide range of repertoire, particularly the music of the Renaissance and early Baroque, but also of works by contemporary British composers, and in 2017 was nominated for a Gramophone Award.
Rory McCleery began his musical career as a chorister at St Mary’s Episcopal Cathedral, Edinburgh. He gained a double first in music at Oxford University as both Organ and Domus Academic scholar of St Peter’s College, subsequently completing an MSt in Musicology with Distinction.
As a countertenor, Rory greatly enjoys performing as a soloist and consort singer in concert and recording with ensembles including The Dunedin Consort, Contrapunctus, The Monteverdi Choir, The Sixteen, The Gabrieli Consort, Le Concert d’Astrée, The Academy of Ancient Music, The Orchestra of the Age of Enlightenment and The Cardinall’s Musick. Recent solo performances have included Bach St John and St Matthew Passions; Handel Messiah, Dixit Dominus and Ode for the Birthday of Queen Anne; Pärt Passio; Purcell Come ye Sons of Art, Ode to St Cecilia and Welcome to All the Pleasures; Monteverdi Vespers of 1610; Rameau Grands Motets; and Britten Abraham and Isaac in venues across the UK and Europe. Rory has appeared as a soloist for broadcasts on ARTE, Radio France, BBC Radio 3 and German and Italian radio, and collaborates regularly with the Rose Consort of Viols.
Rory is much in demand as a guest conductor, workshop leader and programming consultant, and is a passionate believer in the importance of music education and singing for young people.
James oversees the running of TMC, including planning, fundraising, and communications. He is also active as a programmer, producer and consultant. Prior to entering the arts industry, James took degrees in music and history at Oxford University, and was an organ and academic scholar at Keble College. Email: firstname.lastname@example.org
After graduating from the University of Cambridge with a degree in literature, Ed had a short stint in publishing. He has since built a career in the creative industries in the UK and Australia, working with some of the world’s leading orchestras, choirs and vocal ensembles, and opera, ballet and contemporary dance companies. He is a former trustee of The Rodolfus Foundation and a volunteer for SurvivorsUK. A recording of a setting of Psalm 118 by the sixteenth-century composer Robert White was the tipping point for his ambition to become involved with The Marian Consort.
Harry leads the fundraising, marketing and communications team at Wilton's Music Hall. Prior to Wilton's, Harry studied Music at Cambridge, before working at English National Opera in their fundraising department. He also sits on the board of COMMON, an organisation which supports working-class theatre makers in the UK. Harry has written for the Huffington Post, the Independent and The Stage on arts education and culture policy.
"Singing one person to a part, the Marian Consort give sublimely refined, spacious and impeccably tuned performances."
"The performances are models of discretion and musical taste, every texture clear, every phrase beautifully shaped."
"'performances are always vibrant and perfectly tuned’"
"There is an alluring, sometimes intoxicating equilibrium about this disc, regulated by the pure-toned intimacy and blend of Rory McCleery’s fine ensemble."
"The singers perform with a yearning intensity which is just exquisite."
"Exemplary one-to-a-part performances ... the singing is as impassioned as it is effortlessly elegant."
"This is no-nonsense musicianship, but for all that thoroughly musical ... The unfussy performance helps the music enormously."
"🔥 ❤️ 😩 I need a daily IV of this!"
"The Marian Consort’s performances deliver full value in terms of expressive range and sophistication. Pitch-perfect tuning and immaculately clean ensemble … add further to the attractions of this eminently listenable recital."