Published: 5th November 2013
There have been some lovely reviews of our performance in Brighton on Sunday (3rd November) as part of this year’s Brighton Early Music Festival: we were performing with actor Finbar Lynch in ‘Breaking the Rules’, a newly-devised dramatic piece examining the life of the notorious composer Carlo Gesualdo, the anniversary of whose death falls this year.
The Brighton Argus reviewer seemed particularly taken with us: ‘Every bit as arresting as they are transcendent, the modest forces of the Marian Consort filled the air with harmonies that bloomed one from another, their particular skill being an intonation so precise that single notes sounded at first like natural harmonics before gathering a more palpable force. Here was music sung with heavenly perfection’.
To read all of this review, click here.
Robert Hugill’s review commented that ‘The Marian Consort sang Gesualdo’s music as if it was their natural mode of expression, making his difficult chromaticisms seem easy and natural. They sang in the English manner, with a lovely clean sense of line and fabulously secure pitch, but certainly with a feeling for the drama of the music.’
To read all of this review, click here.
Published: 7th October 2013
There was a very nice review of our latest CD release in last Thursday’s Guardian, where Andrew Clements awarded the disc four stars, commenting that ‘The performances are models of discretion and musical taste, every texture clear, every phrase beautifully shaped.’
The CD is available for purchase here on our website, or from all good CD retailers.
Published: 30th September 2013
We’re delighted that our latest CD, of music by the little-known but wonderful Parisian Renaissance composer Jean Maillard, has been awarded four stars by Richard Morrison in the Times. In his review, Morrison praised the ‘beautifully smooth polyphony’ and ‘pellucid clarity’ of the performance.
The disc, which features Maillard’s beautiful Missa Je suis déshéritée, based on a chanson by Pierre Cadeac, alongside a selection of his motets, is on sale in record shops, online, and from our website from today.
Published: 5th July 2013
After a fruitful day of rehearsals on our Purcell and contemporaries programme for our concert in Edinburgh on Sunday, it was a lovely surprise to see a review of ‘An Emerald in a Work of Gold’ from the Church Times, forwarded to us by the good people at Delphian Records.
Roger Judd comments that “listening to this CD was an unalloyed joy for me from start to finish. The seven singers of the Marian Consort, one of whom is their director, Rory McCleery, sing with great finesse and ensemble. I could wax lyrical about just about every track, but i’ll spare you that. Instead, go out and buy the CD for yourself’.”
High praise indeed!
Published: 6th March 2013
Another very nice review of ‘An Emerald in a Work of Gold – Music from the Dow Partbooks’, this time from International Record Review: Robert Levett praises ‘the second release from the superb Marian Consort…Performances are uniformly excellent, the Marian Consort’s rich, sweet timbre, immaculate tuning and clear diction – just listen to Robert Parsons’s Ave Maria, which ends the recording – complemented by the Rose Consort’s own gloriously rich yet transparent sound. Soprano Emma Walshe’s dulcet stratospherics are equally impressive in Tallis’s O salutaris hostia, floating high above the viol consort.’
The disc is available in all good record stores, and from the ‘Recordings’ page here on our website.
Published: 19th January 2013
We’re very excited to be ‘Consort in Residence’ at this year’s Passiontide at Merton Festival, where we’ll be performing as soloists with the stellar Merton College Choir in Arvo Pärt’s ‘Passio’ and Handel’s ‘Messiah’ on Saturday 23rd and Sunday 24th of March.
The brochure, which contains details of all the events in the 2013 Festival, is now available here.
Published: 26th December 2012
A wonderful Christmas present for us in the form of another lovely review of ‘An Emerald in a Work of Gold’, this time in Sunday’s Observer by Nicholas Kenyon: he comments on the ‘sonorous but clear acoustic’ of All Souls chapel which ‘allows the voices of the Marian Consort to bloom’, and ends by summarising ‘sublime…a beautiful picture of one man’s enthusiasms’.
Click here for a link to the full review on the Guardian website, and to purchase copies, visit the recordings page here on our website.
Published: 12th December 2012
We were delighted to read Ken Walton’s review of ‘An Emerald in a Work of Gold’ in this Monday’s Scotsman – as well as giving us 5 stars, he noted that ‘McCleery elicits performances that glow with golden purity and soul’.
To read the whole review, click here, and to purchase copies, go to our recordings page here on the website!
Published: 7th December 2012
The second review of ‘An Emerald in a Work of Gold – Music from the Dow Partbooks’, in today’s ‘i’ newspaper, has given our new disc 4 stars, singling out Gwen Martin’s performance of the beautiful consort song ‘O Lord, how vain’ by William Byrd, which is ‘delivered with duly unornamented clarity’.
The disc is available now here on our website, on Itunes, Amazon, and at all good classical music retailers.
Published: 4th December 2012
Here’s what the Sunday Times had to say about our latest CD, ‘An Emerald in a Work of Gold – Music from the Dow Partbooks’, released yesterday:
‘Here are well-chosen selections from a rich compendium of mostly Elizabethan, mostly English music created by the connoisseur Robert Dow in the 1580s. From William Mundy’s exquisite Sive vigilem to to Robert Parsons’s wonderful Ave Maria setting, the ensemble sings with eloquence and expressive finesse.’
To hear it for yourself, and to grab a copy, head to our recordings page here on the website.
"Singing one person to a part, the Marian Consort give sublimely refined, spacious and impeccably tuned performances."
"The singers perform with a yearning intensity which is just exquisite."
"Exemplary one-to-a-part performances ... the singing is as impassioned as it is effortlessly elegant."
"The Marian Consort has built an enviable reputation for coolly poised and precisely balanced performances and indeed there are times here when the listener can only sit back and admire, seduced by the sheer beauty of sound."
"There’s earnest beauty in it and the instrumental playing on this recording is spot on – the Berkeley Ensemble under David Wordsworth clinches the balance of chaste, plaintive and urgent."
"You are left in no doubt of the agony of the crucifixion in the vocal and horn climax of the opening chorus of Stabat Mater ... intense and riveting."
"The Marian Consort’s performances deliver full value in terms of expressive range and sophistication. Pitch-perfect tuning and immaculately clean ensemble … add further to the attractions of this eminently listenable recital."
"The Marian Consort’s background in early music pays dividends in their superb precision of pitch, impeccable rhythmic placing and beautiful diction … the lush harmonies that open [Judica me] are sumptuously delivered and beautifully recorded."
"Little is known about the 16th-century composer, except that his beautifully smooth polyphony was much admired ... As revealed with pellucid clarity by Rory McCleery’s young Marian Consort on this first recording devoted exclusively to Maillard, he was a subtly expressive composer."
"With two women in the group, they make no pretence at emulating what might have happened in the 16th century; but that lets them sing out with more freedom. So this is no-nonsense musicianship, but for all that thoroughly musical ... The unfussy performance helps the music enormously."
"The motets are more adventurous, declamatory and cleverly nuanced, with a recognisable house style. The Marian Consort produces a very pleasing sound."
"The most striking feature of this entertainingly varied collection is the consistently fresh, fruit-ripe tonal quality of the Marian Consort's singing … poised and flexible, the text responded to with notable insight and maturity."