In Sorrow’s Footsteps
The Marian Consort, Rory McCleery
Celebrating its tenth anniversary with its tenth recording on Delphian, The Marian Consort plays to its twin strengths in a lovingly conceived programme coupling two pillars of Renaissance polyphony with twenty-first-century settings of the same texts, including a newly commissioned Stabat Mater by Gabriel Jackson. A range of subplots – Palestrina’s influence on Wagner, Charles Burney’s collecting of Allegri and Palestrina – make this truly a story of interconnections: a path on which the present’s footsteps constantly overlay the past’s. At the centre is Allegri’s Miserere, whose convoluted reception history itself becomes part of the story and whose performance here fully exploits the world-famous acoustic of Merton College’s chapel.
"Carefully paced and shaped by the group’s director Rory McCleery, this [Gabriel Jackson's Stabat Mater] feels like a modern classic in the making, sensitive and endlessly responsive to the text."
James MacMillan - Miserere