Reviews
Una poesia muta: Art in Early Cinquecento Venice
(Linn Records, 2025)
“Given that it has been made by Rory McCleery and his Marian Consort, it works beautifully as a musical experience in its own right. They have designed a captivating sequence … everything sung with characteristic warmth and musicality. If you can’t make it to the exhibition, this album will transport you there.” - BBC Radio 3 – Record of the Week
“The Marian Consort is not just any ensemble — they surpass all expectations. Their pure, precise approach, with voices stripped to their wondrous essence (no vibrato, maximum impact!), serves the radical counterpoint of Franco-Flemish and Italian polyphonists perfectly. Even the booklet is state of the art — the kind of detail that makes our Renaissance hearts beat faster.” – De Standaard – ★★★★★
“The disc is a gem, from its conception — the close relationship between painting and music in such a precise spatial, temporal and cultural context is most interesting — to its performance. The voices sound dense yet delicate, precise in sonority and intonation, and beautifully blended.” – Scherzo (Spain)
“The Marian Consort, which last year received the German Record Critics’ Award, performs with perfect precision. With a lean tone and refined intonation, they succeed in translating part of the atmosphere contained within the paintings into sound.” – Fono Forum (Germany)
“Rory McCleery and The Marian Consort shape a dialogue between music and painting that feels natural and illuminating — a finely balanced programme of sacred and secular works, performed with their trademark elegance and expressive warmth.” – Ö1 (Austria)